We live in the era of the copy of the copy. Baudrillard warned us: the map replaced the territory. But my birds over the Raouché refuse. My Godivas veil instead of expose. In an age of post-truth, can art still be real? A philosophical reflection on simulacrum, soul, and what resists forgetting.
Maternal lineage carries an ancient fire — mitochondrial DNA passed from mother to daughter for 200,000 years. A reflection on female heritage and art.
Discover the art of Jeane Satie: mixed media works featuring real feathers that celebrate wabi-sabi, reconstruction, and the strength of flight amidst the scars of Beirut.
Wittgenstein said the limits of my language are the limits of my world. But what happens when you live in the in-between — Portuguese, Arabic, French — and still there are moments when all the dictionaries in the world leave a deficit of silence? I call this space the sensory vacuum. It is not absence. It is excess. And it is where my art begins.”
Independent art gallery in Beirut: a story of resistance, solidarity, and insisting on art when geopolitics and market indifference try to silence small spaces.
Identity in Motion explores Japanese-Brazilian-Lebanese heritage through grandmothers’ wisdom, cultural crossings, and the Bering Strait metaphor. A deeply personal journey.
Beirut Birds series explores invisible borders that define our lives. A reflection on geographic privilege, resilience, and art born from fragments in Lebanon.
Analog artist in a digital world: how a 57-year-old painter in Beirut navigates technology, sells art online, and finds creative resistance through wabi-sabi and hope.
Art of healing: a letter from artist mother to doctor daughter exploring how brushes and medicine both fight death, forgetting, and the dimming of lights.
Fairouz Avatar is a digital artwork from the Godivas series — a tiger-woman oracle where wabi-sabi meets feminine resistance in contemporary chaos.
